![]() ‘It’s really weird, and it tells me that when you try to force something creatively, you often find yourself going down the wrong path, or going nowhere, and then when you wait for the right set of circumstances or inspiration to hit you, something can happen very quickly.’ ‘I quickly sketched out a main title for The Walking Dead and after struggling with it for weeks, it happened almost instantly,’ he added. When you try to force something creatively, you often find yourself going down the wrong path ‘In five seconds I realised I had the main title.’ I added a D Flat and within seconds I heard this thing, this urgent, Bernard Harmann kind of colour. ‘Literally the last 15 seconds of the episode, I suddenly have an action thing to write, so I started looking at it, and immediately I heard this urgent fast string break that use the open strings of a violin, G, D and A. ‘The theme, the title sequence, was just sort of just gnawing at me, I couldn’t crack it,’ Bear added. ![]() ‘Normally the theme is the first thing I write, and in the case of The Walking Dead, I just couldn’t crack it, and I struggled at it so long, I eventually started scoring the show when Frank and I, we’d come together, go through it, talk about all the themes, and I just started writing cues. ‘I have to admit that I struggled with The Walking Dead theme, perhaps more than any other theme for a show that I’ve ever written,’ he continued. If you believe that any review contained on our site infringes upon your copyright, please email us.‘When Frank started developing The Walking Dead, he brought me on very early,’ Bear told us, adding that at the time, the show didn’t even have a cast and the pilot episode was yet to start filming.
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